Sunday, February 19, 2006

FUSION'06 is right here right now

span style="color:#666600;">Padmabhushan Vasantdada Patil Educational Complex


Presents


FUSION '06

.......INNOVATION AT ITS PEAK!






Be there to witness the mega event on 27th, 28th Feb. and 1st of March, 2006 at


Padmabhushan Vasantdada Patil Pratishtan's College of Engineering

Eastern Express Highway

Near Everard Nagar, Sion

Mumbai - 400022

CONTACT : Neil – General Secretary 9833660401
Nimish – Cultural Secretary 9323232329

Email us at: fusion.pvpp@gmail.com




“ We would highly appreciate if you could spread the word ”

FOLLOWING ARE THE EVENTS IN FUSION’06!!

1. Glitterati
1. FASHION SHOW
2. VISUAL IMPACT
3. BALL-ROOM DANCING
4. BRIDAL CONTEST
5. NUCH BALIYE
2. Musicals
6. ANTAKSHARI
7. SINGING COMPETITION
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a. HINDI SOLO/DUET
b. WESTERN SOLO/DUET
3. Smart It Out
8. Ad-mAd
9. PRESCO
10. GROUP DISCUSSION
11. PAPER PRESENTATION
4. Dalal Street
5. Treasure Hunt
12. INHOUSE
13. OUTHOUSE
6. Gaming Zone
14. CS
15. NFS , ETC
7. Fusion Laughter Challenge
8. Adventure and sports
9. Pro-nite






















Saturday, February 11, 2006

Rang De Basanti : A Pathshala for today's youth

Rang De Basanti
-NIMISH
12th Feb 2006.




Rang De Basanti, is a movie with difference. What are the factors that differentiate the movie from the rest of the Bollywood? Well, to start with, there is no Amitabh Bachhan presence, neither vocal nor physical. Thankfully there are no item songs. For a change we have Amir Khan, the well-established actor who was introduced back in ‘The Rising’. To conclude, Rang De Basanti is a powerful script, and a wonderful story.

It is a story about D.J. (Amir Khan), Karan Singhania (Siddharth), Sukhi (Sharman Joshi), Aslam (Kunal Kapoor), Ajay Rathod (R.Madhavan)
and Sonia (Soha Ali Khan). These six friends consider friendship above everything else. All but Ajay have common interest and a common view about the nation’s plight, claiming that the country’s drains cannot be cleaned. Ajay on the other hand has an exceptional view to this and urges them to join IAS, politics, military and other such positions from where they can clean up the country’s gutter. It is perhaps because of this view that Ajay became an Air Force pilot.

Laxman Pande (Atul Kulkarni) who is a worker at a communal party often clashes with the beer parties of these friends. He has a specific hatred for Aslam because of his Muslim identity.

Ajay on an Air Force mission loses his life since his MIG crashes down, but in the process he rescues the heavily populated Ambala district, and drives his plane away to a remote area. The defense minister (Mohan Aghashe) blames the pilot for his careless driving rubbishing the media reports that the plane crashed down due to the cheap spare parts used in the planes. Ajay’s mother slips into coma, after the Rapid Action Force sent by the defense minister to disperse their protests, acts hard on her. Now the four freak out friends, along with Laxman Pande, plan to assassinate the minister.

What is it that gives them such courage to take such a drastic step? Here lies the genius of the movie. Sue, a London based filmmaker, after reading her grandfather’s diary, plans to come in India to make a film based on the lives of Bhagat Singh, Rajguru, Sukhdev, Chandrashekhar Azad and their freedom movement.
Her grandfather was a jailor in India during the time of the freedom struggle. In India she finds her characters in these five people. Here comes a major twist in their lives, when they get into the characters they are assigned. They start feeling the freedom struggle, and the effort behind it, and most importantly, the reason behind it. Sue through her grandfather’s diary cruises all of them in the history pages giving them a glimpse of the bravery of the revolutionist, and their motive behind their sacrifice.

They start believing in communal unity, freedom and a way to demand our rights. After Ajay’s death and his mother slipping into coma, they correlate everything to the situation when Lala Lajpat Rai succumbed to death while shouting, “Simon, Go back”. And then came their turn to assassinate the Saunders of this era, the defense minister.

At every point the movie relates the current situation to the British era, indirectly claiming that, we again need to struggle to claim our independence, independence from the political atrocities. It is a shame that we’re fighting within ourselves to attain our own freedom.

I don’t completely support the message provided by the film. It says, “To clean up the system you need to come out of it.” While that in movies like Yuva was
completely contradictory. In yuva, the youth get into the system to clean it up, which I suppose should be the right way to influence someone. Although, they have made it clear, that in current system, it is not practical that a politician suffers punishment or is jailed. Do we have any other option to cure the corruption?

Also there are few errors in the movie that I’d like to point out. The movie is clearly underestimating the power of our fourth pillar: media. In a peaceful agitation against the defense minister, where about a thousand people gathered at the India Gate, TV news channels covered their protest, but nation couldn’t witness the merciless beatings by the Rapid Action Force. I can’t think of any reason that the media was not present during this shocking incidence, that led to severe injuries, and slipped Ajay’s mother into the state of coma.

The assassination of the defense minister is shown highly impractical. I don’t think that five immature students, who have never seen a real pistol, can drive on a motorbike, barge the heavy security, kill the Union Defense minister, and escape unharmed, and remain unsuspected for days. Again these assassins to reveal their motive easily barge into the All India Radio, a govt. building, go on AIR declare their crime and still remain safe in that building for more than two hours, without a single hostage on board. I don’t think it should take more than fifteen minutes for the cops to enter the building, once they declare the crime.

I just didn’t expect an Amir Khan movie to flow in this manner.

But overall, the movie is powerful and definitely with a difference. I can grade it as a must see movie. Certainly the generation will awake.

Rating: ***

Tuesday, February 07, 2006

FACE & EYES

FACES & EYES
-NIMISH
6th Feb 2006.


My eyes are extremely dry. And I’m not kidding when I say that I literally use an eye lubricant daily so that I could develop the most required tear film around my eyeball. Things that touch my heart do not generally come out of my eye. To be frank the last time I could feel my eyes wet with emotions was on 11th sept 2003, when an academic disaster rolled like a glacier and left me shattered. That was the time when I saw a major dead-block in my career graph, stooping down my hopes and my dreams. It took two and a half years ever since to feel the same experience.

It was 26th Jan 2006, when the director who has been doing theatre in my college for about a decade gave me an opportunity to perform in his play. Just a day before he made up this statement wherein he could make up some space for me, in his already set up play, and he did stick to his word when he called me back the next morning. I became nostalgic, about the fact that a year ago I had a dream to work for the college play that couldn’t work out since the play was scrapped. My audition then, helped me get a direct entry as a lead protagonist in another play released six months back, when another opportunity clashed its dates with this one, my dream to work for a college play never turned out to be a reality.

Stage had always been my passion. Back during my school days, I performed a role of a mere courtier in a king’s court. With no dialogues, no expressions, all I had to do was stand in a corner with my profile to be exposed to the crowd. All this was merely to get a feel of the stage. The lights above, the curtains moving apart and the crowd sitting below in an anticipation of some entertainment were all fascinating. Then came an opportunity to work in a modern art play in my college days. Being a hardcore Agni House group member in R.D.National College, I gave my fullest to make the best out of the Agni House play, titled “The Poster”. When the curtains then fell back together, I could feel how lucky I was to get selected in the audition. I pounced on every opportunity, whenever I got to entertain the crowd with my acting skills.

With so much of heat for the stage I wonder why did it take more than two years for fate to introduce me to the Drama group of my engineering college (PVPPCoE)? And in the second academic year of my engineering days, it was mere introduction to the drama group. Working with them never worked out. I could never see the stage lights, the crowd’s anticipation, the applaud, and the appreciation about my work. Everything seemed to halt for more than two years. It took more than just pains to say goodbye to a highly talented team, and a very much versatile director two times before, and thus it was a thrill to get the opportunity for the third time now.

It was evening of 26th Jan 2006, and I was in our college’s seminar hall in middle of about five to six actors amongst the regular troupe, the director and the person whose part I was about to perform. He had been a regular actor for the role given to me and won appreciation around the city to do complete justice to the character. It was his absence for the day of the play that generated my presence for the same role. All eyes poked me, and I entered the set with full zest to complete my part with an applaud of appreciation at the end. I didn’t feel victorious until the director pointed out the nature of the character that I portrayed, which was very much different from the one played before yet could fit in perfectly to complete to jigsaw. “Nimish makes the character look like a spoilt brat, which is exactly contrary to one that was played before.” These words boosted the confidence in me, as all could make out what I had decided for the character fifteen minutes ago while reading the script. In the same confidence I recited the second plot of my entry and marked victory in almost everyone’s book. But I was new in the group, the rest of the actors, director etc were certainly missing their old buddy, and welcomed my entry with a condition that if in any case, the original actor found a chance to come back, he will be given the first preference. I had to nod.

The next day, I kept juggling between my cultural activities and the play practice. Being the newly appointed cultural secretary of the college on one hand, and being an actor selected for a play to be showcased tomorrow, on the other hand, I felt the weight of both things equally heavy. That evening we could make it to the actual stage for a final real time rehearsal. A call from my friend few minutes before told me that I had fared very badly in my semester five result. But I could forget about it all, when the curtains closed, and it was I, and the rest of the troupe behind them now. Once again after almost two years I could see the stage lights flashing from above, the set all ready where we are about to perform. The experience was good enough to make me get into my character and give the best out of me. The show was brilliant with everyone’s contribution being the best. I was spotted with a sunken jaw when I saw the last dance sequence. It looked simply marvelous in the U.V. The night I went to college to witness my result, as well as to collect one of the props required for the final drama tomorrow.

Waving goodbye to everyone at home, on the 28th of Jan 2006, I took off for my first work with the college drama, and looking at few parameters ahead, probably the last drama. My grandparents took pride when they looked at me. I always assume that I have inherited my acting from my grandfather, who has won few accolades in his old acting days. Like him, even I wish to carry on with my acting as a well-polished hobby.

The green room of the auditorium was now packed with the clan. We went through the whole script twice to make sure that things are perfect. There were still 3 hours left for the show, and I was confident to be a perfect ingredient of the team. After the dialogue rehearsal, I went directly to the stage to get a complete feel of the situation I would be in after about three hours. The stage had perfect warmth to welcome me in. The set, lights above and the microphones everything was activated. On the blue covered empty chairs raised an illusion of about 350 people waiting for me to perform.

Everything was happening, as I would wish for. Suddenly in one corner of the auditorium, I could see the man for whom I have tremendous gratitude. It was his departure from the show that brought in my entry. Thus in a way it was due to him, that I got my first and probably the last opportunity to work on the stage for my college. But I wondered what he was doing in the auditorium, since he opted out of the play. According to the director, that boy had sacrificed the character for me, which need to be an obvious situation for me. I had worked hard to polish the character. Now anyone else performing in there would be like snatching away my baby.

But soon, I realized that the baby was never mine. When I was requested to back out by the boy, I placed he ball in the director’s court. Bound by old emotional ties, the ball got placed, not in my favour. I was selected to be out of the show.

“You were given warning before.” “But why did you have to be a good guy?” “What else could I have done?” “You could have just said no, when he asked you to back out.” “ I can’t do that on someone’s face” “You have to learn that, or else things will get complicated.” “Ok, what am I supposed to do now? Is it that I have lost my opportunity forever?” “I’m afraid, I should say yes” “What do you mean?” “I mean that, in future you won’t be able to find out time for all this. This was your first and last chance and you missed that too.” “Ok, so what do I do next?” I closed my eyes. All the events in past few days flashed back in front of me. The performance, the dance, the wonderful moments that I spent with few, the stage, the lights, the curtains etc. I was going to miss it all. I felt the tear film getting developed naturally. Then I opened my eyes and came to the realization that I was sitting on the edge at the Marine Drive, where in front of me lay an endless sea. Few rag pickers below were searching deeply for their rags. “Will it help you in any way if you just sit here?” “You are right. I’ll make a try.” “That’s the spirit” “I still won’t be a bad guy to snatch away his role.” “What, are you a kid?” “What do I do then?” “At least get up from here, go to him, and ask him whether he can take his words back.” “ Yeah, I won’t die in the process, huh!! Why not try that?” “You are a kid, now at least move your bump off this place”

I got up from the seat, crossed the road, and went straight to the auditorium, where just outside, people had gathered for a small party, a tea party. I directly approached the guy, but before I could open my mouth, he apologized. “I have no personal enmity with you. I have been doing this role ever since the play has started. The crew, our regular audience, the judges’ etc. everyone are used to see me play in that role. I have emotions attached to the role. I’d never raise a finger about your inability to pick up the role. As a matter of fact you were doing the part much better than what I do. But we just can’t break the tradition.”

“Where did I go wrong? How did I land into this position? This is unfair. May be this is marking the end of it all. May be my travel with the stage was only with this point.” I looked up at the lights again, the closed curtains, and few people practicing behind it. Then I went into the green room, found a lonely place, closed my eyes, and waved goodbye to the backstage in my mind. Now for the first time in past 2 and half years, I was actually crying. It is too hard to say goodbye to something you’ve always wanted to do.

“You are full of negative thoughts. What makes you think to mark an end here?” “Now I just want to adore theatre as a mere spectator.” “Is that your hobby?” “Yeah I want to be a critic. Even this can be a good hobby. I’d love to do that.” “But don’t you think you are killing your desire to act on stage?” “May be you are right. I just can’t kill my wish. There has to be some way out here.”

Now I looked straight, I could see the endless sea once again in front of me, the sun was now setting down. I looked in the watch, the show in the auditorium just half a minute away was just about to start. I got up from the seat at Marine Drive, and ran upstairs to the auditorium to watch the curtains just opening for a brand new play.

-NIMISH

Monday, January 23, 2006

Ad Review: Digestive Marie


I think Parle this time have goofed up with the concept of “Digestive” Marie. In the ad they show Kajol an officer of Anti Marie Bureau commanding a fat guy to eat Digestive Marie that helps in digestion. Now with this the product sounds like a medicine for digestion, rather than an enjoyable snack. It would be an embarrassing situation for someone to publicly buy the Digestive Marie from the shopping market, or serve a Marie of that kind to guests, wherein the person publicly reveals the problems of his screwed up intestines.

Even previous attempts of Parle to sell Krack Jack, by introducing Krack & Jack as two individuals replicating the sweet and salt taste was a total failure.

I personally love Parle products, and I am loyal to them as far as biscuits go. Hence I just hope that it doesn’t much affect Parle’s digestion.

Saturday, January 07, 2006

Bourn to conquer


BOURN TO CONQUER
-Nimish Inamdar
6th Jan 2006.


The Alchemist.

Alchemy is what few would say as science, or a mere myth in definition of few, to convert any metal into gold. Writer Paolo Coehlo reckons that people or sages doing research in this direction, have put themselves through many tests, and people amongst these who have conquered their goal, can provide answers to all the questions on earth. Sounds impossible and completely impractical, isn’t it? Everything in the book is symbolic. And according to me even “The Alchemist” is a term used for person attaining his final goal in life.

The story began with San Tiago, a boy from Spain, living alone with his sheep in order to live life the way he wanted to. Despite warning from his father that gave his future a shady and unstable look, the boy listened to his heart, and became a shepherd. One day he decided to listen to his dream and set out for treasure kept for him miles away in Egypt near the Pyramids. On his way, he learned many things from life, and many ways to live. He found his love, his passion, and finally the bliss to complete his dream. He could also talk to his self as also to the soul of the earth.




I feel somewhere in some part of the book we can find ourselves in the boy. Some of us merely crush their dreams and prefer a practical, simpler life; while some of go crazy behind their dreams and keep up with the passion, or rather I say a hope, to complete their dream. This book reminds me of the Jonathan Livingston Seagull, a short story on the life of Jonathan, a seagull who goes off the track in the chase of fulfilling his dream.

In short the book says, “It pays to unbelong.”

-Nimish

Monday, December 19, 2005

Movie Review :Bluffmaster

BLUFFMASTER
-16TH December 2005.
-Nimish Inamdar






Dir: Rohan Sippy
Cast: Abhishek Bachhan, Riteish Deshmukh, Priyanka Chopra, Nana Patekar, Boman Irani.

RIGHT HERE RIGHT NOW.

The person who can plot a scene, produce it, direct it and act in it, and make a lot of easy money by goofing someone or Bluffing someone, is a Bluffmaster. And in our very own Abhishek Bachhan playing Roy Kapoor plays the bluffmaster in the movie “Bluffmaster”.

“The city of Mumbai is like an ocean, where various types of fishes swim in their own sense.” Says Roy Kapoor, to Aditya Shrivastav a.k.a. Dittu (played by Rietesh Deshmukh), while both of them are sitting in a restaurant, as the former is teaching the later the art of goofing people.

“You need to watch and decide which fish suits you, as per your requirements, skills, and attitude to face dangers.” Dittu listens keenly to the lessons from the Bluffmaster.

Soon they become teammates and decide to goof up people together. Dittu doesn’t approve of Roy’s devoted love for his ex-fiancée, Simmi Ahuja (played by Priyanka Chopra) who breaks

their engagement after she finds out that Roy is a con man. In this scenario, Roy bumps across Dr. Bhalerao (Boman Irani), and according to his diagnosis Roy’s brain tumor wont let him live for more than three months. Now, Roy sets his life’s motive for the next three months, and that is to help Dittu take his revenge against Chandrakant Parekh (played by Nana Patekar), a big time con man who has goofed up many people to make money. Chandru, the Bluffmaster of all had also once goofed up Dittu’s father, and Roy along with Dttu is all set to take over him. Now comes the climax where we experience a serious U-Turn. Who is the Bluffmaster of all? Check out the movie for that.

With a good climax (for a change) the story line of the movie looks really good. But the director Rohan Sippy has put us through a lot of tyranny for the same. Many unwanted melodramatic scenes, dragged up scenes, few unwanted songs really make you feel like getting up from the seat. But the wait to watch the climax is worthwhile.

After movies with intelligent humor, like Khel (1992), Catch Me if you can (2002) etc all talking about con people one would expect the film Bluffmaster, whose theme revolve around the word ‘con’, to be on similar lines. But the film has not used the potential it could have reached with respect to comedy.



The movie gets really good in second half with Nana and his rib tickling script. Even Abhishek, Riteish, Priyanka and Boman have done pretty good job. I feel that director Rohan Sippy could have done much better with the film.

To sum up the movie is strictly OK, and something we can’t see more than once.

Rating: ***

Tuesday, December 13, 2005

Da vinci Code


THE Vinci Code

All the four Senechaux guarding the world’s biggest secret are serially murdered in one single night. The assassin is deceived and misguided. As per decided neither of the Senechaux reveals the truth, and the age-old secret is about to die. Here lies the genius of a 76-year-old curator, Jaques Sauneire, the Grand Master of the organization, as he sets up abstruse codes for a noted cryptographer Sophie Neuve (whose grandfather he was), minutes before lying down peacefully.

Book Cover

As per directed by her grandfather, Sophie takes help of Harvard Symbologists Robert Langdon to crack all the codes in order to reach the destination. On that very eventful night, the whole of Paris Interpol headed by Captain Fache is tracing the duo on charges of murder of the curator.



The story has described that night with many twists and turns, all of them very convincing and yet unpredictable. Undoubtedly the most gripping book I have ever gone through. The novel throws a new light about the unseen life of Christ. We also get an in depth knowledge about the artwork of Da Vinci. Brown has also given detailed descriptions of the various monuments visited by the characters in the story.


The popularity and craze of this book tempted Ron Harvard to direct a movie starring Tom Hanks and Audrey Tautou.

It is expected to be released by early 2006. http://www.imdb.com/title/tt0382625/

PS:
I bumped upon this site, where the person claims to be the grand master of the Priory, which in fact is the most secret organization as described by Dan Brown. If you have any interest go through this site.
http://www.necessaryprose.com/thegm1.htm
Here are few links for those who have read the book. It might suit their interests.
http://www.mohawkcollege.ca/dept/literacy/da%20vinci%20code.jpg
http://www.leaderu.com/focus/davincicode.html

Tuesday, November 01, 2005

Diwali in New Delhi


This year our neighbors wished o join us, but as we understand by our past experiences, nothing really positive comes out of that land. So but naturally Pakistan's friendship hand replaced the crackers of Diwali by RDX.What they don't understand is that Diwali is a festival of lights, and not to wizz off the flame out of people's lives. Those islamic extremists in the name of Jehad, even ruined ID for a few.L-e-T there be light on few this Diwali. Happy Diwali.
ps:
hey please visit this for my greetings...
http://www.logogle.com/ggl.php?hl=ja&lo=Happy+Diwali%2705+-+Nimish+Inamdar

Terrorized terrorists

To,
Times Of India.
This is with reference to the cartoon made by R.K.Laxman in your paper dated Nov 1 2005, where he depicted the common man terrorized by the recent events of the terrorist attacks. An ardent admirer of him, me, would like to disapprove this time. After the bomb blasts of 1992, the very next day we saw 92% attendance in the offices. Even in New Delhi, the day after the bomb attacks, newspapers sprayed the city's resilience on their front pages. Four blocks away from the yesterday's bombsite we could see women buying utensils and ornaments. This has clearly shown the terrorists that India is unshakable. I'm not saying that we're stone hearted and have no feelings to moan about this loss. All I want to say is that, it takes every single person to do its bit in order to run this country, and we don't shun our responsibilities at the will of terrorists. This is a lesson for the terrorists.

-Nimish Inamdar

Sunday, October 23, 2005

IIPM: Wrong Taste of Management

Hi,
I came across some stunning discoveries about IIPM. Those 8 WI-FI towers are completely misleading. The management is making FAKE promises, and over that it turns out that the MBAs graduating from that institute are not acceptable MBAs.

Arindram Chaudhari, a self proclaimed management guru lured students by flashinga one page advertisement in TOI, where he lettered out his agnger against the IIMs, blaming IIMs for creating aftificial scarcity for MBAs.

That letter itself had some negetive effect as Mr. Chaudhari himself degraded the value of MBAs terming them as unnecessarily highly paid people.

Following are some links from which u can judge yourself.
Please go through them.





Thursday, October 20, 2005

Aashaayen - Hopes

IQBAL
-NIMISH INAMDAR
26/09/05



There used to be a commercial where a cosmetic cream acts as a catalyst to make a talented girl reach to the commentary box right besides K. Srikanth. The same product in another commercial used by a girl helps her make it to the film world after bumping Rakesh Roshan on a roadside. The marketing team of that product had a clear idea about the Indian market, that Cricket and films are two things that entertain the country and in a way, run the country.

These two distinctly different fields have often made attempts of collaboration in order to drift public attention on a larger scale. Many a times we have seen film stars playing on the field along with the cricketers for some or the other charity match, this is how cricket involves the film industry within itself. We have also seen the film industry-involving cricket in its own way of making stories on the game.

It’s always been a thrill for the audience to see these two national crazes coincide at some or the other point. We have seen Dev Anand’s ‘Awwal number’, Shah Rukh Khan’s ‘Chamatkar’, Amir Khan’s ‘Lagaan’ and many more that framed stories within cricket and a nail-biting climax. In the same theme we saw Subhash Ghai producing ‘Iqbal’ under the direction of his genius Nagesh Kukknoor. Iqbal, as the punch line rightly says isn’t a story about cricket, but it’s a story above cricket.




Iqbal, is a 18 year old boy, born in a family where his mother a cricket crazy, has aspirations and hopes to fulfill her son’s dreams of becoming a player for the Indian cricket team. But the patriarch family has unfortunately a father that may love anything but cricket, and has aspirations to make his son follow his trait of becoming a farmer. Ask Iqbal and he is already a cricketer. In his own privately constructed room, that mute and deaf can already hear the noise of the crowd echoing from the stadium out of his imagination. His dreams and hopes are tied with the support of his mother and his sister Khaleeja. Iqbal finds a new coach in form of Mohith, who now becomes his third support, thus enabling Iqbal raise his platform for the selection of Ranji Trophy.

Incidently Iqbal stands out to be the only person to get selected in the Andhra team of Ranji Trophy, despite of the fact that he had never played cricket anywhere else other than his own gully. This advent of success invites fame, glory, media, and politics. Iqbal in the lure of the much-needed money falls prey to match fixing, but finally tears apart the cheque of the opponent team’s coach who once due to influential reasons had thrown out Iqbal out of his academy. Iqbal stands out and is finally selected in the Indian cricket team.



We enter the theatre thinking big names like Nagesh Kukknoor and Naseeruddin Shah. But surprisingly we find the other cast highly convincing. Shreyas Talpade, the new comer in form of Iqbal has given a highly talented performance. Prathiksha Lonkar, Yatin Karekar and Swetha have also given brilliant performances. Naseer stands out in the movie, as one would expect him to be. Nagesh has once again proved to be an ace director.

Thinking of Iqbal, makes me think of Jonathan Livingston Seagull, a story of a seagull who finally attains his bliss despite of innumerable difficulties. Although the story may seem a bit common, Iqbal scores with casting, cinematography, script, and most importantly the direction.



There is a flaw morally unacceptable in the movie in the plot when Iqbal enters the stadium representing the Indian team for the first time. Right behind him we can see a crumpled tricolour, lying on the floor. I don’t see any reason to display this type of disrespect to the flag, and that too from a perfectionist like Nagesh Kukknoor.

On the whole the movie is brilliantly made, and I would grade it as a must see for everyone whether or not you like cricket.

Rating ****

Saturday, August 20, 2005

When Mumbai Sank


INTRODUCTION



It was showering heavily on BSE Tuesday morning with Sensex peeking just above 7600. It was a sight that gripped my attention and my hands did the same with our T.V. remote control. Roughly 2 hours passed by when I realized that I have missed 2 of my important lectures in the college and I ended up being a potato couch the whole day rather than attempting to go to college. How did I know at that point that something good was in store when I took this decision? No one else in the city could have predicted that I was amongst the lucky people who get the golden opportunity to avoid the mayhem that down poured the city.



TUESDAY 26th JULY

HOME

Very soon the CNBC and NDTV profit changed to Set Max and Zee Cinema. When things got bore even, I preferred to read instead. By now Aai had gone out for her classes and even Neetika was deeply buried in Harry Potter & the Half Blood Prince. We both got out of our books when the vibrations of a huge thunder roared across the living room. The heavily splashing rain was now to be taken seriously. Just a peep outside made me realize that our building was now virtually an island and the efforts taken to avoid water logging two years back were all futile now. On the other side we could see about half a feet tall divider on the road disappearing. I had to capture this and thus I clicked the camera out of excitement wherever possible.



Later we called up Aai to call her back home. By the time she decided to come, water at some places was up to the knee height. She returned home by 4 in the evening completely drenched. Simultaneously Anju Atya kept calling me, as Neha’s phone wasn’t able to catch network. They were supposed to meet at Andheri and return home at Thane together. With the notice that the efforts to reach her phone were in vain she decided to actually reach her and set out in the waist high water. But for the best may be, the traffic didn’t allow her to proceed. Helpless, she turned back from Santa Cruz and came here.

NEHA
The torrential rains dampened the orange network all over the city, and unfortunately the missing girl out here, stranded in the waters of Andheri had the Orange sim card in her phone. Water was now almost up to the knee level just beside her office and as per decided to meet her mother she didn’t budge to her friend’s request to move with them back to home. Standing in rains with one useless umbrella she could get a perfect glimpse of the chaos around her.

Here was the time to use her presence of mind and thus she decided to hook at Bandra instead of going all the way at Thane. Finding it impossible to drive around a perfect road, her friends rode their taxi back to the same place. Perhaps this is a scenario all over the place, and its better to reach home soon. God helps those who help themselves and thus came the office peon, to the rescue. Guiding through the waters all the way, the two of them walked down from Andheri (east), to Bandra (east), a wonder ride that took more than three hours. She reached home by 8 in the evening to relieve a major pressure off us. All this while at home we could do nothing but wait. When we sat on our couches watching VCDs in an attempt to release some tension from Anju Atya’a heart, Neha was out there cruising her way through.

NIGHT TIME
“How come the electricity is still on?” was a question printed on all our faces. The clock showed the nighttime right angle and, we assumed that the water level by now had reached approximately to my chest height. So it was quite obvious that all of our electricity meters downstairs were soaked in water. Just as we didn’t finish up with this discussion the world turned dark and we could sense all of us, including the neighbors who had gathered in our house, smiling as if saying, “We were just expecting this.” A glowing candle entered the room and all we could now see were each other’s helpless faces. It was still raining outside, but the showers had calmed down a bit.

There are very few times in Mumbai that we actually get to use our age-old candles, thus when we do we use them generously. Even the battery-operated torch that we bought a year ago came to use. The high range torch was exceptional in guiding us analyze the situation in outer dark world, and it gave correct glimpses of the taxi getting slowly submerged just outside out back gate, the water swallowing the cars at our neighboring building and the compound wall of our building slowly disappearing. These were the indicators that helped us analyze how worse the situation was getting as time passed by.

The burglar alarms of majority of the cars mistook the water to be a burglar trying to sneak in and screamed to highlight its use. The circuits inside went lose and lighted the inside and outside of the cars when we watched this all helplessly from above standing in complete darkness. The headlights burning gave a wonderful Tyndall effect when water jumped above them. But this time it wasn’t such a good sight as we watched our car batteries getting drained.

Unfortunately my phone being old drained out its power too soon, and so did our landline fwp. Aai’s Orange sim card didn’t respond and so did Neha’s, giving indications that the Hutch dog cannot swim. So the only working phone left with us now was Neetika’s prepaid phone with unknown amount of balance. So obviously, the idea was to use it only for incoming calls only. We spent the remaining night talking to our neighbors and messaging few people about the condition we were going through.


REKHA KAKI
This may be a regular visit to the Mehboob Studio at Bandra, but its consequence wasn’t so. Rekha kaki along with Bappa set out at about 3 pm, Tueday, 26th July2005, in their Ford Ikon, with the faint idea of the sinking city. But the idea they had, was fainter than the reality. It took three hours for them to reach the Kalina fly-over from the Mehboob studio at Bandra, a journey that in normal course should not take more than 25 minutes. Had they not decided to walk down to their home in Parle from the Reliance Energy building, they’d have spent he whole night right on the top of the flyover.

The dipped themselves in the thigh high water below the flyover, and followed the clan when the driver volunteered to take care of the car. Watching them go, a lady in the back car handed over all of her shopping bags to the driver, to guard them and bravely or foolishly decided to walk down with her two small kids. It was but obvious that the water level was certainly more than her kids’ height. But she came back the other day at Ajit Kaka’s home to collect her bags, assuring that she did reach home safely, and so did Rekha kaki. But her story isn’t really too easy. On the way she apparently lost hold of Bappa, and that 89-year-old man was in the missing list for few moments. The water force at the Centaur junction was good enough to flow down an average healthy person. Thanks to the ropes fixed by the locals that they made it safely at home.

BABA
It was about 4:15 pm in the noon and the news was that offices all over the city have been evacuated. Baba opened the door and came out of the conference room to see a huge lot of people at their desks, in the office at the NKM building near the Marine Drive. If everyone were asked to leave soon then how come people didn’t budge to move out? The reason, it was too late. Water was splashing across the city; the whole system running the city had come to a standstill. Traffic Jams all over, water logging etc were the problems that advised people to stay safe where they were, in an anticipation that situation will get better very soon. This intelligent thinking was a result of establishing communication with people who’d left office three hours back and were still giving no signs of reaching home.

The Mumbai city was least hit on 26th of July. As a matter of fact when compared with the mayhem at the suburbs, we can say, it didn’t rain at all in the Mumbai city. Baba was amongst the lucky to be stranded in the city, enjoying the leisure of electricity and information sources. Night for him went really good with a brisk stroll at Marine Drive, watching movies like Sarkar and Maine Pyar Kyun Kiya (Salman Khan must be really happy to know that few people did watch the movie), and sleeping on cozy seats in a well air conditioned room. No one could imagine what was waiting for them soon ahead.

Baba along with three others decided to move out and make it home. The cab worked really well until Mahim, but its accelerator hardened and clutch-brake softened, as the traffic didn’t allow the yellow top to go across other numerous cars stuck in Jam. So all four of them took an obvious decision to leave the cab and proceed walking. It was good until they were at the Mahim flyover. They got the first glimpses of water logging when they got down from the flyover directly in the waist high water. Walking alongside the divider, they managed to reach the Kherwadi signal. Realizing how difficult the situation would be in near future, they became unanimous on coming at our place and then proceed, as situation would get better.

But nature was mocking at them. Zooming the eyes over the waters from the kherwadi signal to the Asara building, they got a clear vision of what seemed to be an average height man almost barely managing not to get drowned in that neck high water. Prompt came no from the rest three, and they took no time in preferring to walk down to Borivli instead. Baba took about fifteen minutes to get firm on proceeding ahead and then set out in the further deep water. I wonder he had ever swum in this deep water! Had it not been for Nilesh 6’1”, it’d have been a much difficult journey for Baba to reach home.

THE KHERWADI JUNCTION

“Yeh Sarkar kya kar rahi hai?”(“What is the government doing?”), Stated an agonized passer by.
“Isiliye toh hum yahan khade hai.”(“That is specifically why we are standing here”) I replied to that passer by, when I was within the waters right at the middle of Western Express Highway’s Kherwadi Junction in the waist high water. The smile that the passerby gave appreciated the work we were doing.

In the morning when I saw Nilesh helping Baba pass through the waters, I decided to put my not so small height to use. Just like me, many others including Amlesh and Sandeep got inspired by Nilesh and proceed with their helping hands.

We started by distributing the neatly organized Khichadi packets, courtesy Yamini. It came as no big surprise that the packets soon exchanged hands, and the needy consumed it to their delight. Next came the job to organize the flow of crowd. We directed at least few thousand people in organized manner so as to avoid the chaos and then stampede. This had to begin with rearranging the cars that were stuck at the junction. Thanks to 20 to 25 volunteers like us, that the job was made easier.

The compliment that we got from the passers by was the cream on the cake. It was sort of an adventure to walk in chest high water to the junction at highway, help people, and get their views, on the plight of the city. Santa Cruz wasn’t as bad as Sion- Ddharavi, was an obvious conclusion that we drew and passed on to the people who need the due information.

Two guys coming from Andheri, Saki Naka halted here to breathe some before going at Nerul. A lady walking down all the way from Goregaon, was destined to Dadar. It was an amusing site for few when they saw a dead crow on the top of a white colored Maruti 800, covered with flower petals, giving it as a scene of crow’s funeral according to one person.

THE NEXT DAY
“What a beautiful site!!!” exclaimed Baba, when, he saw land all around us. For two days we were stuck in an island, and had it been a continued process for another week or so, we’d have experienced the life of Tom Hanks in the movie Cast Away.

After yesterday’s adventurous day and the dark night that allowed us to have candle light discussions about the people that created History, we saw a comparatively bright morning the next day. Me and Baba, after examining the cars neatly, decided to survey the whole area. All we witnessed around was the resilience of the city. Shopkeepers, throwing out wasted goods, people cleaning their cars, and most important happy faces of the rag pickers.

Anju Atya and Neha, made their way back home, and completed the journey successfully.

The day was spent in cleaning cars and storing water in our water hives. Electricity was still seen very far. Reliance Energy failed to respond, and so did the BMC with water supplies.

So apart from water level sliding away completely, and the positive attitude of the city, nothing else seemed positive.

The dark night was again spent in candlelight, but staring at that dim candlelight, we all could recollect loads of experiences to tell the future generations, and smile at the next morning to come.

Sunday, August 07, 2005

Movie Reviews : Page 3

STAGE 3
-Nimish Inamdar.
29th Jan 2005.

Relax on couch, sip a cup of tea, and unfold the newspaper to begin the morning routine. Page one, general national or international news, page two, metro news, then you proceed to page 3. After the black and white or gray flavor of first two pages, Page 3 welcomes glitter, glamour, colors, etc. It represents the lights of the city that burned the whole night when you lay on your bed in preferred silence and darkness. And Madhur Bhandarkar’s new endeavor Page 3 represents the darkness behind these lights.

Konkana Sensharma

Madhur has managed to prepare a relishing bhel-puri of many celeb-stories, to make a delicacy good enough to sit back and enjoy. It involves a heavy industrialist with a spoilt daughter and a worried wife who commits suicide after knowledge about her husband’s involvement in child abuse and molestation. The story involves, an on-duty ACP, who prefers to be among the party animals even when the city is under the threats of riots and bomb-blasts. It also includes struggling actress Gayatri (Tara Sharma) going through a phase of casting couch. The story doesn’t even spare male section from casting couches, but this time they are forced to homosexuality in an attempt to get roles.

Atul Kukarni

The script allows a practical Sandhya Mridul in the character of Pearl who gets married off to a millionaire more than twice as much her age. But amongst these we also see a socialite played by Suhasini Muley who will actually prefer to work for people. Then we get to see an honest police inspector Limaye in the character of Inspector Bhonsle who pays for his honesty. The camera moves over many other areas where drivers chat, where gatecrashers enter or where a person struggling to appear in page 3, finally achieves his goal. The film above all includes Atul Kulkarni in the character of Vinayak Mane, a crime reporter who mocks at Konkona Sen, differentiating between journalism and entertainment.

We get to see all this from the eyes of Konkona Sen, a journalist for the newspaper Nation Today, who tucks down her parents’ wish and travels all the way from Banglore to Mumbai for her dream in journalism. But after watching the plastic life of these celebrities, she decides to change her beat to crime. Her boss, Deepak Suri (played by Boman Irani) being very cooperative, allows her to work under Atul Kulkarni. All the while she breaks up with her boy friend, her roommates, Pearl and Gayatri desert her due to their own paths and problems, leaving her quite alone.






Over this Nation Today fires her for making a story on the child abuse by the noted industrialist. Boman her boss who actually appreciates her story and her work, bends to the upper orders and does the proceedings for firing her. The whole world around her is plastic, artificial and completely unwanted. In this Atul Kulkarni stands by her and his words, “To change the system, you have to be in the system” encourages her to take up the same category job but in another press. This is where the glamour, glitter and the monotonous life welcome her back again.



Where do we find a relishing Bhel-Puri in this pathetic life? There lies the genius of Madhur Bhandarkar. He has created good humour when at the same time ridiculing the life of these stars. The film has managed very good casting. Atul Kulkarni although with a very small role has handled it all very well. Konkana Sen is undoubtedly good, same to Boman, Sandhya, Tara, Bikram and many others.

The world is a stage where we land and perform. But every world has a subset in it, and thus we get to perform and as well watch others perform on this stage. After the film I feel that it should be better to watch others perform rather than actually performing on this stage where there is a craze to rush on the third page.

Rating: * * * *

Wednesday, August 03, 2005

My View :Mumbai Split

With the advent of the recent events, there has been too much of debate over the topic of Mumbai to be split from its parent state. I don't understand that why are we all intended to divide our country into bits and fragments, further complicating the bureaucracy? Can't we just stay together as one and resolve to overcome our bridges rather than creating rift within the country? If there was any problem with the government machinery in recent Mumbai floods, then it was due to the inefficiency of the Govt, elected by us. If we have to blame the government, why drag and curse the whole state that shared the same trajedy?
-NIMISH INAMDAR, Mumbai.

Saturday, July 30, 2005

Mangal Pandey … Brave martyr or an Accidental Hero

Mangal Pandey … Brave martyr or an Accidental Hero.
-Nimish Inamdar
30th July 2005.



This is the way the title of a book released recently by Penguin Publishers goes. The writer Rudranshu Mukherjee is a graduate from Oxford University and was awarded a D.Phil in Modern History by university of Oxford in 1981. In his book the writer pens down the detailed scenario on, before and after the fatal or the fateful day of 29th March 1857.

First of all let me clear a misconception about Mangal Pandey actually killed his senior. No he did not. Yes he did shoot on one of the officers, but it didn’t work as the ball missed Sergent Major James Hewson and he was saved. But Mangal Pandey seriously injured Hewson and Lt. Baugh in a sword fight and was hanged for the same.

Two days after this incidence started his trial that lasted for one single day, as a result which was well predicted by all that Mangal Pandey went to gallows. In his trial Pandey confessed of drug addiction, which he started off late and also made it clear that he was under the intoxication of Bhang when he acted the way he did. He could reveal nothing more than, “I was not in right senses and I did not know what I was doing.” This was as opposed to the British expectation of revealing names of his colleagues who could possibly revolt in near future.

The writer grabs this point and raises an issue that he being in the state of intoxication, was certainly not aware of what he was doing and turns out to be an accidental hero. But also raises out a possibility that Pandey needed that intoxication to carry the guts he needed to revolt.

I reckon that it makes sense, and thus for me at least there is no doubt about him being a true martyr.

Aamir Khan as Mangal Pandey

But there are also certain facts that cannot be overlooked, and they do raise another question of whether his sacrifice was really worthwhile to blow the whole of North India against the East India Company? Mangal Pandey was a sepoy at the Barrackpore Cantonment near Calcutta. The first revolt that took place was miles away at Meerut.

The story there follows in this way that 85 sepoys were detained and sentenced to 8 years of rigorous imprisonment since they refused to touch the newly introduced Enfield Cartridges. The rumor about the Enfield cartridges being greased with the cow and pig fat had a grip over the whole of North India. Meerut was a place where according to the writer the name Mangal Pandey had not reached. It was the fury against the British Raj to detain those 85 sepoys that led to the revolt. The writer makes another point worth noting, that throughout the 1857 revolt, the Barrackpore Cantonment didn’t budge and the neighboring Calcutta remained loyal to the British Raj.

If Mangal Pandey didn’t much contribute to the revolt, then one would raise questions about his fame. The answer according to Mr. Mukherjee is that Mangal Pandey being one of the first revolting people, had created a sense of treat in the minds of the British. Pandey was a common name amongst the Indians and that prompted the rulers to generalize the term “Pandeys” against the revolting people. Thus his name got encrypted in history.

The forthcoming Amir Khan starred movie should be thus worth watching. I presume they must have completely exploited the mystery about Mangal Pandey’s life to make fiction out of reality. None of the records that exist till now have given perfect information about Mangal Pandey’s past, his parents, his wife, or that whether he was married or not, from where did he come etc. Thus Ketan Mehta gets a full opportunity to use things according to his convenience.

To sum up the 1857 revolt had a sole reason as the spark for the fuel, and that was the greased cartridge. I’d like to end here by a verse made by the last Mughal Emperor

Na Iran ne kiya, na Shah Russ ne,
Angrez ko tabah kiya kaartoosh ne.


[Neither Iran nor the Tsar of Russia could do what the cartridges (in India) did]
And thus... here started The Rising.

Sunday, July 03, 2005

movie reviews: Sarkar

The GODkar
-Nimish Inamdar
July 1, 2005

The most awaited film of the year is here and I’m amongst the first people to see it, and I’m glad that I’m. Ram Gopal Verma’s ambitious project shot under the heavy schedule of 45 days incorporating heavy names like Abhishek (yeah that is a heavy name today) and Amitabh Bachhan under the banner of the prestigious K Sera Sera productions was released today.

Sarkar deals with a family practically ruling the norms of Mumbai where our big B is the numero uno enjoying the maximum support of the crowd. Subhash Nagare a.k.a, Sarkar played by Bachhan Sr is a messiah for people as he is the sole person capable of solving their problems or giving them justice of course by illegal meanings. He has his own philosophies. Neither him nor his principles can be sold to anyone. He is determined to do anything that he thinks is right irrespective of the system’s rules.

In this background comes Rashid from Dubai to take the permit from Sarkar about drug trafficking from the region where Sarkar rules, but returns empty handed. To bring down Sarkar he joins hands with the rest and turn all the allies of Sarkar his enemies. War breaks open between Rashid and Sarkar & Co with Sarkar going to jail on false accusations and then consecutively to the hospital as a victim of the war. In this scenario his own son Vishnu, played by K.K.Mennon, turns a traitor. Now the responsibility comes on Shankar (Abhishek Bachchan)Sarkar
and he manages to kill all of his enemies and once
again restore the pride the Nagare family had in
the city, and becomes the next Sarkar.



This mafia story is an exact replica of ‘The Godfather”. We had Don Vito Corleone then as The Godfather, and now we have Subhash Nagare as Sarkar. Michael Corleone’s image is seen in Shankar Nagare. We can even find images of Pete Clemanza, Tom Hagen and Tessio. Clearly Rashid plays the role of Virgil Sollozo. And now we need a family traitor, in the year 1972, we had Carlo Rizzi to do the job and here we have Vishnu Nagare. The conceptual difference that I see is that Subhash Nagare gets arrested here. Those who have read The Godfather know that it’s impossible for Don Vito Corleone to get arrested.

So those who have seen or read The Godfather, don’t watch the movie with high expectations as in every scene you find yourself saying, “Godfather.” This especially happens in the second half and thus it is more predictable. The first half, dominated by Bachchan Sr., rocks. In second half you get to see Abhishek in mainframe. We get to see some good performances in the movie with K.K.Mennon as a special mention. Undoubtedly both the son and father steal your attention throughout the movie, and as expected both of them are fantastic on screen. I can say this is one of the best pieces by Ram Gopal Verma ever.

On the whole the movie rocks. Whether or not you have read The Godfather, do go and see the Indian version of The Godfather.

Tuesday, June 28, 2005

movie reviews :Bunty Aur Babli

Be my lover BABLI.
-NIMISH INAMDAR
11th june 2005.

No Caption


I made did make an attempt today to watch Yash Chopra’s new comedy (or rather supposed to be comedy) flick Bunty Aur Babli (BAB). My 1st question to Mr. Chopra is, that was it really comedy? He should have at least given some hints when we were supposed to laugh. I did make few attempts to laugh during the movie time, but that sounded so artificial that the rest of the audience gave me the “Is he crazy?” look.



DO NOT and please do not go to the movie hall thinking that I’m going to have some rocking fun for three hours. Sitting in that air-conditioned hall I was thinking for ways to get out of that torture. My 50 bucks were waste- a total waste.

No Caption

The plot seems all good when we here about two con people calling themselves Bunty and Babli run all over the country fooling people. But at every point the movie says, “Come on guys this plot was supposed to be funny… laugh.” And then we grin looking at each other. Don’t believe me? I can understand, with all the other critics and the review writers going ga-ga over it, what makes me sound it so miserable? Well the answer is simple; let me give you one example. There is a scene in the movie where Rani Mukherji (The babli out of them) sits on the rock all alone, then comes Bacchan Jr. to see her and notice that she is about to cry. What happens next? Well then our Bunty asks her “what’s the matter?” like any other normal person would do. Prompt comes the reply “Muzhe maa ki yaad aa rahi hai (I’m missing my mother)”. Fine pretty fair, no complaints so far. Now what happens next?? Well that’s it guys, it was a comedy plot in the movie, we all were supposed to laugh. Damn I missed it all.

If there is nothing to laugh, then u may ask what is there in the movie? Well I can say the plot is good. Two people fed up of life and the idea of living honestly sets up together to make earning out of fooling others. Babli as Binno calls herself aspires to become Miss India. But fails to do so and thus the blame obviously goes to her ‘Live with Principles’ attitude. Rakesh a.k.a. Bunty dreams of becoming one amongst the Tatas and the Ambanis but his honesty don’t allow him to do so. Both meet at this point of failure and decide to go to their Mecca i.e. Mumbai. In order to get the money to reach to their dreams, both successfully fool one person. But the money empties from their pockets soon and they make repeated attempts to make money. Soon they realise how good they are in this and now they realise the future of their career.

But obviously, it’s a Hindi movie, so they fall in love and get married (with no witnesses around). At this point comes Bacchan Sr. (mind you its second half of the movie by now). He is determined to catch these two culprits who have fascinated the whole country and lavishly robbed a few. Their crimes include robbing a shopping mall (completely), robbing a hotel (almost completely), and selling the great Taj Mahal to a phirangee (now how’s this? we need such capable people in our bureaucracy) and the last but not the least, robbing the gold out of RBI’s reserves.

But in no story do we hear that the bad wins, ditto here, except that it’s a Hindi movie, straight from the heart of Bollywood. So we cannot expect anything new out of it, and thus they get caught just when they decide to become good guys and live an honest life. But that’s certainly not the end. The climax is something a novelty for Hindi movies where the con people are used for the good of the society and not jailed for life or hanged.

Honestly and very truly there are very few moments in the movie where anyone would feel like laughing. It’s a typical Yash Chopra film with all the regular gloss. Rani Mukherjee tries to be sexy, but I must say the attempts are futile. It’s a treat to watch Bacchan Sr, and Jr, dance together in an item number. But nothing else really works even in that song. Many of the dance steps in many of the songs are completely unprofessional something that I could make.(Ha ha just kidding.)

On the whole, go and watch the movie if at all you love Yash Chopra. But if you are like me who hate him after every new movie he has made after Mohobattien then please donate that money in children’s welfare fund.

Sunday, March 20, 2005

My Views: SUGGESTION FOR SION TRAFFIC

SUGGESTION FOR SION TRAFFIC

Traffic congestion

As we all see that MUTP is accelerating its work, and now we can hope to drive on broader roads with less traffic problem. I would like to suggest the concerned authorities to also look into the traffic problem at the Sion-Bandra link road that is responsible to connect two major highways of the city. I would like to suggest a step to remove all the leather shops adjacent to the road and accommodate all of them in a five to six storied leather mall with proper parking space. This will relax the traffic problem and plus will generate good revenue for the leather shops existing there. The special allotment for the leather shops will certainly draw attention of the city towards it, and with organized parking space and widened roads the traffic problem in the area will decrease to a considerable extent.
-Nimish Inamdar

Veer Savarkar cannot be compared to Jinnah.

Veer Savarkar cannot be compared to Jinnah.

This is in response to a ridiculous statement by a CPI leader in one of the shows conducted by SAB TV, where he arguably compared Veer Savarkar to M.A.Jinnah.Although M.A.Jinnah had some role in the Indian freedom struggle, he had a major role in the Indian partition, which we moan till now. Partition was something that Veer Savarkar was strongly protesting. So Jinnah first being good and then turning hostile has no comparison with Savarkar’s sacrifice in pre-independence era and his national service in post independence India. Jinnah turning hostile later on was selfishness on his part, whereas Veer Savarkar never put himself before the country. None of the acts of Veer Savarkar were in self-interest. Whether or not, his actions were good, may be a question pertaining to individual point of view, but no one can disagree his sense of patriotism, national pride, and service to the nation. So its sheer madness to compare a patriot like, Veer Savarkar to a traitor like Jinnah.

My Views: JUG'S HEAD

JUG'S HEAD (As Appeared in The Times Of India Editorial Page :Conversation with the readers)
On the bright Sunday morning I decided to read the article written by Jug Suraiya about “Indians being the ugliest face in the world”. As I went through it I started feeling sick, and till the point I had completed it, I found myself besides my washbasin vomiting. That article almost made me to decide to get the next flight and run abroad. Although Mr. Jug Suraiya ruined my bright Sunday morning, I would give him a standing ovation for bringing out this topic. Everyday when I decide to walk on the roads, I’m deep in thoughts, and those thoughts just include my plans to dodge the live and dry spits. I think we, as Indians should realize the surroundings and its importance. There should be proper measures taken by the government to control the littering. The recently started campaign to ‘fine’ anyone littering, is a complete failure, and with this pace people will continue harassing our Mother India. There is an urgent need of introducing hygiene as an independent subject in the school curriculum, where even the social behavior and mannerism should be discussed. I hope that we do act as soon as possible to these unhygienic Indian conditions, and reach a stage where we say, “Daag, Dhoondte rehjaoge.” (“Keep searching for the stain.”)